Follow this step by step Adobe Photoshop tutorial to create a colourful and vibrant cloud icon. We’ll be using plenty of gradients and lighting effects to produce a really cool icon perfect for a modern website design or mobile app.

Follow this step by step Adobe Photoshop tutorial to create a colourful and vibrant cloud icon. We’ll be using plenty of gradients and lighting effects to produce a really cool icon perfect for a modern website design or mobile app.

The cloud icon we’ll be creating features plenty of vibrant colours to create a three dimensional appearance. A flow of purple to blue provides the colourful base while the highlights help illuminate the icon and lift it from the screen.

View the full size icon design

Open up a new Photoshop document and begin by filling a black circle with the elliptical marquee tool on a new layer. Hold Shift and move the selection to one side and fill a copy, then use the rectangular marquee tool to fill in the centre while aligning the bottom edge perfectly.

Back with the elliptical marquee tool, draw a slightly larger circle and a slightly smaller circle each overlapping the original left and right circles.

Fill in any gaps in the centre to finish off the graphic as a recognisable cloud shape.

Double click the layer to open up Photoshop’s layer styles window and add a Gradient Overlay. Add a third swatch in the middle then change the colours to #300a85, #2555dd & #c8ecff. When choosing colours, avoid selecting tones from the same hue. Instead, move around the colour wheel to create more intense changes in colour, so the tones become warmer or cooler.

Give the cloud an Inner Glow effect to add to the three dimensional appearance. Change the settings to white, Soft Light and 100% opacity, then play around with the size slider.

An Inner Shadow effect can be converted to create a cool top highlight. Change the default fill from black to white, then alter the blend mode to Overlay to allow the colours to interact. Adjust the Distance, Choke and Size to balance between a hard/glossy highlight and a smooth/soft highlight.

Press OK to confirm the layer styles, then CMD+click the cloud layer thumbnail to load its selection. Go to Select > Modify > Expand and enter 5px.

Fill this new selection with black on a new layer underneath the main cloud to create an outline effect.

Open up the layer styles for this black outline and add a Gradient Overlay. Choose similar purples and blues, but enough change in tone so they contrast against the cloud layer. I’m using #571a9b, #4c54e5 and #c0e8ff.

Load the selection of the cloud layer again, then right click and select the Stroke option on a new layer.

Alter the stroke width to 2px using white as the colour, then make sure the Location is set to Inside.

Use the Eraser with a large soft brush setting to delete the lower portion of the stroke outline, leaving a gradual fade from top to bottom. This little touch adds another subtle highlight to the icon.

Dab a spot of black on a new layer at the bottom of the stack, then transform and squash it down into more of a shadow shape.

Split the shadow in half using the marquee and selection tools. Hold Shift to make sure the second half stays on the same plane.

Use the Single Column marquee tool to make a selection, then transform and stretch this selection to fill out the centre area of the shadow with a straight segment.

Move the shadow into place under the cloud to ground it onto the background, then add another Gradient Overlay in the layer styles window. Use darker tones of blue and purple to continue the colours into the shadow. A shadow in reality isn’t black, it is made up of all the colours and reflections that are around it.

Our vibrant cloud icon is now complete. The gradients and highlights really help create a three dimensional appearance, while the variations in colour subtly give a more realistic feel to the shading.

See more here:
How To Create a Vibrant Cloud Icon in Photoshop

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Photoshop has some powerful tools to help you create gorgeous interfaces. In this tutorial, we will demonstrate how to create a clean iPad interface using Photoshop’s powerful toolbox. Let’s get started!

Tutorial Assets

• LCD Font
• Britannic Font

Step 1

Create a new file. Set Width to 768 and Height to 1024 and the resolution to 132 PPI.

Step 2

Make a new Group and name it Background. Inside that group create a new layer and fill it with #c2c2c2 and apply the Layer Styles. Make another layer, fill it with any color that you like than go to Filter > Noise > Add noise and set the Amount to 400%, Distribution to Uniform and check the Monochromatic box. Set the blending mode for the layer to Soft light and the Opacity to 14%.

Step 3

Create a new Group and name it Side Button. Using Rectangular Tool (U) make a rectangle shape just like the one in the example. Set the fill color to #636363 and apply the Layer Style. Now take the Rectangular Tool (U) and make another rectangle shape, this time a little smaller than the previous one and set the fill color to #cfcfcf afterwards apply the Layer Styles.

Step 4

Using Horizontal Type Tool (T) set the font to Myriad Pro (standard font) / Bold and the size to 14 and type the number 1 in the center of the shape. Apply the Layer Style and duplicate the Side Button Group like in the example and change the text number of each shape.

Step 5

Now make a new Group and name it Action Button. Using Rounded Rectangle Tool (U) set the radius to 5px and make a shape like the one in the example. Set the fill color to #3d3d3d and apply the Layer Style. Make a smaller shape using Rounded Rectangle Tool (U), set the fill color to #d7d7d7 and apply the Layer Styles.

Step 6

Using Pen Tool (P) we will make the symbol. Draw a triangle and set the fill color to #696969, apply the Layer Styles and duplicate the shape like shown in the example.

Step 7

Make ten more buttons following Step 5 and leave an open space for the pressed version of the buttons. Using Rounded Rectangle Tool (U) you will make another shape in the space left between buttons. Set the color to #2c2c2c and apply the Layer Style. Now make another shape using Rounded Rectangle Tool (U) this time a little smaller, like the one in the example and apply the Layer Styles.

Step 8

Using Rectangular Tool (U), Ellipse Tool (U) and Custom Shape Tool (U) draw the following shapes. Set the fill color to all shapes to #696969 except to the play symbol which we will color in #0b709a. To all the shapes colored with #696969 apply the first set of Layer Styles and to the play symbol apply the last set of Layer Styles.

Step 9

Create a new Group and name it Sliding Switch. Using Rectangular Tool (U) make a shape like the one in the example. Set the fill color to #d4d4d4. Now using Rectangular Marquee Tool (M) make two selections like the ones in the example. Select inverse the selection and Add a Layer Mask. Apply the Layer Style.

Step 10

Make a new Layer and transform it in a Clipping Mask. Using Rectangular Tool (U) make a shape like the on in the example and set the color to #2c2c2c and apply the Layer Style. Now to work on the details. Make a new Group and name it Details. Using Rectangular Tool (U) make a small square like the one in the example. Set the Fill to 0% and apply the Layer Style. Duplicate the layer as many times as neede to get a similar result like the one in the example. Set the Opacity of the Details Group to 50 % and we’re done here.

Step 11

After creating a new layer and transforming it into a Clippin Mask, use Rectangular Tool (U) and make a shape like the one in the example. Set the fill color to #484848 and apply the Layer Styles. Create a new layer and using Horizontal Type Tool (T) set the Font to Myriad Pro (standard font) /Bold and font size to 14 pt and write the numbers 02, 04 and 06 exactly like in the example and apply the Layer Styles. Make another layer and transform it into a Clippin Mask. Create another shape lik the first one, Filter > Noise > Add noise and set the Amount to 400, Distribution to Uniform and check the Monochromatic box. Set the Opacity level to 5% and move to the next step.

Step 12

Create a new Group and name it Display. Using Pen Tool (P) draw a shape like the one in the example, reduce the Fill to 0% and apply Layer Styles.

Step 13

Using Pen tool (P) make another shape and set the color fill to #49c1ff and apply the Layer Styles. Create a new layer, fill the layer with any color that you like, go to Filter/Noise/Add noise and set the Amount to 400%, Distribution to Uniform and check the Monochromatic box. Transform the layer in a Clipping Mask and set the blending mode for the layer to Soft light and the Opacity level to 14%.

Step 14

After downloading LCD Font use Horizontal Type Tool (T) and with different font sizes write down a text like in the example. Set the color to white #ffffff and apply to all 3 text layer the Layer Style. Now using Custom Shape Tool (U) load Web shapes from the librabry and use the indicated shapes shown in the example. Apply the Layer Style and we’re done.

Step 15

Now, using Rectangular Shape Tool (U) draw 60 white #ffffff rectangles like in the example. Change the color to some of them to #7f7f7f and apply the Layer Style. Put all those layers in one group and name it Indicators. Now using Pen Tool (P) set to paths make a selection just like the one in the example, select inverse and add a mask to the group.

Step 16

You will have to follow the exact steps from Step 12 to Step 15 to mirror the Display in the right side of the UI. You can play around, get creative about it, as it is one of the most important things while designing.

Step 17

Create a new group and name it Knob. Using Ellipse Tool (U) make a black #000000 circle like the one in the example. Drop the Fill to 8%. Now using Pen Tool (P) set to Paths make a selection just like the one in the example and add it as a layer mask. Apply the Layer Styles and move to next step.

Step 18

Using Ellipse Tool (U) make another circle inside the previous shape, set the color fill to #141414 and apply the Layer Styles.

Step 19

Make another circle using Ellipse Tool (U), set the color fill to #efefef and apply the Layer Styles.

Step 20

Using Ellipse Tool (U) draw another circle like the one in the example, set the fill color to #414141 and apply the Layer Styles. Add a new layer and transform it in a Clipping Mask. Using Pen tool (P) set to Shape Layers make a shape like the one in the example and set the color to #6dcff6.

Step 21

Add a new layer and using Ellipse Tool (U) make another circle like the one in the example. Set the fill color to white #ffffff and apply the Layer Styles.

Step 22

Make a new layer and using Brush tool pick a medium size brush, set the hardness to 0 and color to #000000 and make a stroke like the one in the example. Transform the layer in a Clipping Mask. Make a new Layer and fill it with any color. Go to Filter > Noise > Add noise and set the Amount to 400, Distribution to Uniform and check the Monochromatic box. After this go to Filter/Blur/Radial Blur set the Amount to 50, Blur Method to Spin and Quality to Best. Transform the layer in a Clipping Mask and set the blending mode for the layer to Hard Light and the Opacity level to 41%. Center the eye of the vortex with the center of our knob and you are ready to move to the next step.

Step 23

Using Ellipse Tool (U) make another circle like the one in the example. Set the Fill to 0 and apply the Layer Style. Duplicate and resize this layer until you get a result like the one in the example. Add all this layers in a root folder/group and reduce the groups Opacity to 15%.

Step 24

In this step we will create the direction indicators. Using Pen Tool (P) you have to draw a shape like the one in the example. Set the fill color to #3a3a3b. Now select the layer and add a layer mask. Using Gradient Tool (G) set to Foreground to Transparent and picking black #000000 as our foreground color, make a gradient stroke just like the one in the example. Duplicate and resize the layer so you get an result like in the example. Apply to both layers the Layer Styles and our Direction Indicators are ready.

Step 25

Create a new group and name it Screws. Using Ellipse Tool (U) make two black #000000 circles like the ones in my example and apply the Layer Styles. Now using Ellipse Tool (U) again make another two circles, this time a little smaller than the previous ones and set the fill color to #494949. Apply the layer styles and we are ready to move to our next step.

Step 26

Using Horizontal Type Tool (T) set the font to Britannic Font and the size to 11 pt and type two “+” just like in the example. Apply the Layer Styles to them and our screws are done.

Step 27

Make a new group and name it Switchesc. Inside using Pen Tool (P) draw two black #000000 shapes like the ones in the example and apply the Layer Styles.

Step 28

Using Pen Tool (P) draw two more shapes like the ones in the example and set the fill color to #cecece afterwards apply the Layer Styles.

Step 29

Now we will work on our left switch. Using Ellipse Tool (U) make a white #ffffff circle like the one in the example and apply the Layer Styles.

Step 30

Using Custom Shape Tool (U) load the Symbols pack from the library and add the car symbol with the fill color set to white #ffffff. Apply the Layer Styles. From the Custom Shape Tool library select the bicycle and insert it after which apply the Layer Style.

Step 31

Now to work on the right switch. Using Ellipse Tool (U) make a small circle like the one in the example, set the fill color to #75d0f5 and apply the Layer Styles.

Step 32

Using Horizontal Type Tool (T) set the font to Arial and the font size to 9 and write “EDIT” just like in the example and apply the layer styles. Now use a smaller font and write at a 45 degree angle the words ON and OFF and apply the Layer Style.

Step 33

Make a new group and name it Switches 2. Using Ellipse Tool (U) make to shapes like the ones in the example. Set the fill to 0% and apply the Layer Styles. Use Ellipse Tool (U) once again and make two shapes like the ones in the example. Set the color fill to #2e2e2e and apply the Layer Style.

Step 34

Using Ellipse Tool (U) make two shapes like the ones in the example. Set the fill color to #b6b6b6 and apply the Layer Styles.

Step 35

Using Rounded Rectangle Tool (U) set the Radius to 5 px and draw six shapes just like the ones in my examples. Set the Fill to 0% to all the layers and apply the Layer Styles. Now using Ellipse tool set the color to #4c4c4c and make 6 circles like in the example. Using Rectangular Tool (U) and the same color make 4 shapes just like the ones in the example. Now you will have to use Horizontal Type Tool (T) and set the Font to Myriad Pro / Bold and the font size to 6 pt and write at the end of each group a
“-” and a “+” just like in the example.

Step 36

Make a new group and name it Video Connector. Using Pen Tool (P) draw a shape like the one in the example. Set the fill color to #252525 and apply the Layer Styles.

Step 37

Using Pen Tool (P) make another shape, exactly like the one in the example, set the fill color to #292929 and apply the Layer Styles.

Step 38

Using Ellipse Tool (U) make a circle like the one in the example and set the fill color to #9da2a6. Select Rectangular Marquee Tool (M) and make 3 selections like the ones in the example, select inverse and add layer mask. Now select Pen Tool (P) set it to Paths and make a selection path just like the one in the example. Select the layer mask thumbnail from our circle layer and fill the selection with black #00000 and apply the Layer Styles. Make a new layer fill it with any color, go to Filter > Noise > Add noise and set the Amount to 400%, Distribution to Uniform and check the Monochromatic box. Transform this layer in a Clipping Mask, set the blending mode for the layer to Soft Light and the Opacity level to 24% and we are ready to move to our next step.

Step 39

Using Ellipse Tool (U) make seven black #000000 circles like the ones in the example and apply the Layer Style. Use Rectangle Tool (U) and make a shape like the one in the example, set the fill color to #323232 and apply the Layer Style.

Step 40

Make a new Group and name this one Jack. Using Ellipse Tool (U) make a circle like the one in the example set the fill color to #4b4b4b and apply the Layer Styles.

Step 41

Make another circle using Ellipse Tool (U) and set the Fill to 0% and apply the Layer Styles. Make another circle using Ellipse Tool (U) and drop the Fill to 0% and apply the Layer Style.

Step 42

Using Rectangle Tool (U) make 4 shapes like the ones indicated in the example and set the fill color to #474747. Using Rectangle Tool (U) make a small rectangle shape just between the two upper strokes done before. Set the fill color to #92a1ab. Now using Ellipse Tool (U) make another circle just like the one in the example, set the fill color to #83898f and using Elliptical Marquee Tool (M) make a circular selection inside the shape we’ve done before exactly like the one in the example. Now select inverse and Add a Layer Mask. Apply the Layer Styles and move to the next step.

Step 43

Create a new group and name it USB Connector. Using Rectangle Tool (U) make a shape like the one in the example and set the fill color to #1f1f1f. Apply the Layer Styles and we’re done.

Step 44

Create a new layer and transform it in to a Clipping Mask. Using Rounded Rectangle Tool (U) set the Radius to 5px and make a shape just like the one in the example. Drop the Fill to 0% and apply the Layer Style. Make a new layer and using a medium and a small size black #000000 brush make two strokes like the ones in the example. Transform this layer in a Clipping Mask and reduce the Opacity to 70%.

Step 45

Using Rounded Rectangle Tool with the Radius set to 5 px, make five shapes like the ones in the example and set the fill color to #8d8d8d, afterwards apply the layer Style. Now using Pen Tool (P) set to Shape layers draw a shape like the one in the example and set the fill color to #454544 and apply the Layer Style. Using Rectangle Tool (U) make five squares like the ones in the example, set the fill color to #1a1a1a and apply the Layer Style. Once again using Rectangle Tool (U) make 5 shapes like the ones in the example and set the fill color to #eceee9.

Step 46

Using Pen Tool (P) draw a shape like the one in the example, reduce the Fill to 0% and apply the Layer Style.

Final Image

Originally posted here:
Create a Clean iPad Interface in Photoshop

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In this tutorial, I’m going to show you how to draw Apple’s iPad 2 . We are going to use vector-drawing techniques combined with manual drawing and layer styles to create a convincingly realistic iPad. We will also use Smart Objects to help us easily change the iPad’s screen content and the iPad’s Smart Cover color.

In this tutorial, I’m going to show you how to draw Apple’s iPad 2. We are going to use vector-drawing techniques combined with manual drawing and layer styles to create a convincingly realistic iPad. We will also use Smart Objects to help us easily change the iPad’s screen content and the iPad’s Smart Cover color. Continue reading…

Continue Reading: How to Create an iPad 2 From Scratch Using Photoshop

See more here:
How to Create an iPad 2 From Scratch Using Photoshop

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This tutorial will show you how to create a conceptual vintage-themed poster of the Design Instruct South Expedition to Cape Horn in 1975. We will be mixing images, grunge brushes, textures and more to achieve the final design

This tutorial will show you how to create a conceptual vintage-themed poster of the Design Instruct South Expedition to Cape Horn in 1975. We will be mixing images, grunge brushes, textures and more to achieve the final design. The design process involves Photoshop filters, layer masks, trendy typography techniques as well as the use of Adobe Illustrator to create a stylish circular badge logo. Continue reading…

Continue Reading: Create a Vintage Memorabilia Poster

See more here:
Create a Vintage Memorabilia Poster

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Get to grips with Photoshop’s various tools to create a detailed and vibrant radar icon. We’ll build the icon over multiple layers with the help of gradients, brushes and layer style effects. The final icon would look great in your dock as a Mac application or used to create an icon for your iPhone app.

Get to grips with Photoshop’s various tools to create a detailed and vibrant radar icon. We’ll build the icon over multiple layers with the help of gradients, brushes and layer style effects. The final icon would look great in your dock as a Mac application or used to create an icon for your iPhone app.

The icon we’ll be creating features a typical green radar with a vibrant illuminated screen. Subtle gradients help add depth to the icon while the scanlines pattern and soft glows on the screen elements really help add a touch of realism.

View the final radar icon

Create a new Photoshop document and fill the background with black. As for sizing, create the design at the largest your icon will ever need to be. Fill a white circle in the centre, then right-click and select Transform Selection. Scale down the selection while holding Shift and ALT. Press Enter then delete out this centre portion to leave a thin ring.

Double click the ring’s layer in the layers palette to open up the layer styles. Add a Gradient Overlay flowing from dark to light green, then add a soft white Inner Glow.

Next, change the settings of the Outer Glow effect to add a black shadow around the ring. It won’t be visible yet, but it will help add depth to the radar screen later.

Draw a circular selection within the area of the outer ring, then fill a new layer underneath the ring with a green gradient. Choose colours from black to mid-green to a very light green and select the radial gradient option.

Create a new document at 2x3px. Zoom right in and select the Pencil tool. Draw a line across the top edge, then go to Edit > Define Pattern.

Draw another selection within the confines of the outer ring, then select the fill tool, change the drop down menu to Pattern and select the recently created pattern swatch. Change this layer to Overlay at 50%.

Use the Single Row and Single Column selection tools to draw horizontal and vertical lines over the document. To make sure they’re centred, press CMD+A to select all, then CMD+T to transform. You can then drag out guides from the side rulers (CMD+R) and snap them to the transformation handles.

Add a layer mask to the lines layer and fill it entirely with black to render everything invisible. Then use a large soft white brush to bring back the lines by clicking once in the centre.

Draw two circular selections aligned to the centre (Click+drag from the centre guides while holding ALT), then right click and select Stroke to give them a 1px white outline.

Use the Polygonal Lasso tool to draw a rough outline to contain the radar sweep. Pay close attention to the alignment to the centre. Add a blob of white with a large soft brush.

CMD-click the outer ring layer thumnail and add in an extra selection to surround and delete any unwanted excess from the radar sweep layer. Change this to Overlay to allow the colours to interact and produce a vibrant green effect.

Use the brush tool to dab spots on the radar, then give them an extra vibrant glow using the Outer Glow effect from the layer style window.

This leaves our cool little radar icon complete ready for exporting as a transparent PNG and putting to use as a fully working icon file in your favourite app, or as some kind of interface icon on your web app or web site.

See more here:
How To Create a Vibrant Radar Icon in Photoshop

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A matte painting is a backdrop that filmmakers use when the scene they need doesn’t or can’t exist in real life. In the past, they were created by actually painting a scene on a canvas. Today, they are created digitally by combining photographs to produce the scene that they need. In this Psd Premium tutorial, author Ed Lopez will demonstrate how to create a snow-covered, coastal, mountain town scene using Photoshop. This is a written tutorial but it also includes about 2 hours of video instruction. This tutorial is available exclusively to Premium Members. If you are looking to take your matte painting skills to the next level then Log in or Join Now to get started!

Detailed Video Instruction

This tutorial includes 9 videos that demonstrate the process of creating this project in detail so that you can better understand the techniques that were used in each step. Below is a clip from one of those videos. To view more clips you can Log in or Join Now!

Professional and Detailed Instructions Inside

This tutorial also includes full text and screenshots of each step. Premium members can Log in and Download! Otherwise, Join Now! Below are some sample images from this tutorial.

Final Image

Psd Premium Membership

As you know, we run a premium membership system here that costs $9 a month (or $22 for 3 months!) which gives members access to the Source files for tutorials as well as periodic extra tutorials, like this one! You’ll also get access to Net Premium and Vector Premium, too. If you’re a Premium member, you can Log in and Download the Tutorial. If you’re not a member, you can of course Join Today!

See the article here:
Create a Snow Covered, Coastal, Mountain Town Matte Painting – Psd Premium Tutorial

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Follow this step by step process to create your own stylish contact form completely out of HTML5 and CSS3. We’ll be using a couple of the handy new features in HTML5 to add cool functionality to our form, while making use of cool CSS3 properties to recreate our Photoshop concept purely in code

Follow this step by step process to create your own stylish contact form completely out of HTML5 and CSS3. We’ll be using a couple of the handy new features in HTML5 to add cool functionality to our form, while making use of cool CSS3 properties to recreate our Photoshop concept purely in code.

The design we’ll be building features all the things that make a rich interface; gradients, highlights and shadows! We’ll create a visual concept in Photoshop first of all, but when it comes to building the form we’ll recreate every effect with HTML5 and CSS3.

View the HTML5/CSS3 form demo

The PSD Concept

Open up Photoshop and create a new document. Add a dark to light blue gradient to the background, then draw a rectangle in the centre to contain the form.

Use Photoshop layer styles to add a subtle drop shadow at around 30% opacity and a thin 1px stroke using a very light grey.

Add a title to the design using the darker blue colour swatch. Spruce up this text with a inset effect by tweaking the Drop Shadow settings to create a 1px light grey outline along the bottom edge of the text.

Use the same font styling on each of the labels, then draw a rounded rectangle with 5px corner radius to create an input field. Add a soft Inner Shadow to add depth to the design.

Copy the elements to lay out the form with a series of input fields, then a slightly larger text area.

Modify one of the input fields to visualise how the field would look when in use. Give it a lighter blue colour overlay and style up the text with an inset shadow. Use the Drop Shadow feature so the shadow appears on the outside of the text (not the inside as Inner Shadow does). Remember to uncheck the Use Global Light option so the -90 degree angle doesn’t also affect all the other gradients.

Add lines of text inside the other fields to represent the placeholders, but give them a darker blue fill to lower their contrast against the input fields.

Draw a smaller button shape with the rounded rectangle tool and style it up with a gradient, thin 1px stroke and a subtle shadow.

The visual concept is now complete. We won’t be using any of the graphics as background images, but the PSD will be handy to refer back to for Hex colour codes when recreating the design in CSS.

The HTML5 Structure

Every web project starts with the HTML structure. Here we’ll be using some fancy HTML5 features to spice up the design. Lay out a basic document structure with Doctype and CSS stylesheet link. House the contact form inside a contaning div so we can centre it up in the demo. Each label element should have a for attribute that relates to an ID of each input field – This boosts the accessibility of the form and allows the user to click the label to activate the correct field. /> One new HTML5 feature we’re making use of is the placeholder attribute. Simply enter your desired message and it will appear in each field, when the user has focus on that field the text is automatically cleared. This feature is currently only supported in Safari and Chrome, but is soon to appear in Firefox4.

The CSS Styling

The CSS stylesheet first sets up the basic document with a reset to remove any browser defaults, then the body is given the blue gradient using CSS3. Currently different code is required for Webkit and Mozilla, but the handy CSS3 Gradient Generator website helps save time. /> The containing div is given specific dimensions and centred up using margin: 0 auto;, then the shadow and stroke from Photoshop is replicated using box-shadow and a border. /> Basic CSS font styling matches up the text to the concept, then the CSS3 text-shadow property replicates the inset text effect by adding a 1px highlight to the bottom edge.

Continuing on, the label elements are given similar styling to the h1, then the input elements are styled up with dimensions and padding to match the Photoshop concept. CSS3 gradients come into play once again to recreate the inner shadow effect, simply adjusting the location of the gradient handles can create the impression of subtle shading. /> The HTML5 placeholders can also be targeted using vendor specific CSS for both Webkit and Mozilla. The colours for these placeholders are colour picked from the PSD concept. /> The CSS used on the input elements can be copied directly onto the textarea, the only difference being the larger height dimensions.

To give the user visual feedback when the input elements are active, the :focus pseudo selector can be used to give the fields different CSS styling. Here the CSS3 gradients are adjusted using lighter blue colours. /> The submit button will currently be styled with the generic CSS used on the input fields, so to target this field in particular the [type=submit] advanced selector is used to attach unique styling to this element in particular. Such styling includes a different width and height, a new gradient background, a subtle box-shadow and a thin 1px border. cursor: pointer; is then added to make the button seem clickable by displaying the ‘pointer’ style of cursor when the element is hovered.

The Complete Code

HTML

CSS

The Final HTML5/CSS3 Form

Preview the final web page in your browser to see the form completely rendered in HTML and CSS. Browsers such as Safari and Chrome will see every detail, whereas Firefox won’t see the placeholders until the release of Firefox 4. The styling will slowly degrade as we go through Internet Explorer until we see a basic and flat form, but the overall functionality is still usable and accessible.

View the HTML5/CSS3 form demo

See original here:
Create a Stylish Contact Form with HTML5 & CSS3

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In today’s tutorial we will demonstrate how to combine Illustrator and Photoshop to create a 3D, textured spray can. This tutorial requires some basic understanding of Illustrator and Photoshop as well as the pen tool. Let’s get started!

Step 1

Open Adobe Illustrator. Create a new document. The first step is to create all the materials and elements that will appear on the can. Most of them are basic shapes and text. I created the spatter and the shield for this tutorial. You can use them or you can find free similar vector elements over the Internet.

Note that I included measurements for you to have an idea of the size and proportion, but you don’t have to be exact. You can always resize things later if you need to.

Step 2

In the menu, go to Windows / Symbols to open the Symbols Window. Drag each of the elements you just created to the Symbols Window to convert them to symbols.

In the Symbols Window open the menu from the top right corner and select “Large List View.

Select the Symbol Options button at the bottom of the window and rename each of the Symbols as seen in the following image. Finally you can delete them from the stage.

Step 3

With the Pen Tool (P) create a shape like in the image below. Try to respect the amount of anchor points.

Step 4

Go to the menu and click Effect > 3d > Revolve. Enter the values of the following image.

Step 5

On the 3D Revolve Options Window click the Map Art button. Check Shade Artwork and check Invisible Geometry. For now we will only use the Red and Grey boxes that we converted to symbols. Use the arrow buttons to navigate through each surface. Following the Image in Step 6, apply the corresponding material, selecting it from the Symbol list menu.

Note that the wireframe turns red on the surface that is selected. If the material/symbol is too small for the surface, click the Scale to Fit button. Finally click OK on the Map Art Window and on the 3D Revolve Options Window.

Step 6

You should have something like this.

Step 7

Now open the Layers Window if it is not already open. Rename the to MAIN.

Step 8

Select your main shape; duplicate it by dragging it to the Create New Layer button at the bottom of the Layers Window. Rename the new MAIN path to WHITE BIG.

Step 9

Hide the MAIN path. Select the WHITE BIG path. Open the Appearance Window and select the 3D Revolve (Mapped) Link. Click on the Map Art button.

Step 10

First remove all the Symbols from all the surfaces. If you created exactly the same amount of anchor points you have to select Surface 5. If not, don’t worry, just find the surface that matches the one in the following image and position the White Big symbol as seen in the following image.

Step 11

Now we will repeat steps from 7 to 10 several times to position all the different elements. You may be asking: What is the advantage of placing the elements in several overlapping paths over making only one symbol with everything inside?

1. You can copy each individual element to Photoshop as individual layers.
2. This allows for a more efficient use of computer resources because you can hide all unused elements if you need to.

Duplicate the WHITE BIG path by dragging it to the Create New Layer button at the bottom of the Layers Window. Rename the new WHITE BIG path to WHITE SMALL.

Select the WHITE SMALL path. Open the Appearance Window and select the 3D Revolve (Mapped) Link. Click on the Map Art button. Remove all the symbols from all the surfaces. Find the surface that matches the one of the following image and position the White Small symbol as seen in the following image. Finally click OK on the Map Art Window and on the 3D Revolve Options Window.

Step 12

Duplicate the WHITE SMALL path by dragging it to the Create New Layer button at the bottom of the Layers Window. Rename the new WHITE SMALL path to SHIELD.

Select the SHIELD path. Open the Appearance Window and select the 3D Revolve (Mapped) Link. Click on the Map Art button. Remove all the symbols from all the surfaces.

Find the surface that matches the one of the following image and position the Shield symbol as seen in the following image. Finally click OK on the Map Art Window and on the 3D Revolve Options Window.

Step 13

Duplicate the SHIELD path by dragging it to the Create New Layer button at the bottom of the Layers Window. Rename the new SHIELD path to PRESSURIZED.

Select the PRESSURIZED path. Open the Appearance Window and select the 3D Revolve (Mapped) Link. Click on the Map Art button. Remove all the symbols from all the surfaces.

Find the surface that matches the one in the following image and position the Pressurized Smoke symbol as seen in the following image. Finally click OK on the Map Art window and on the 3D Revolve Options Window.

Step 14

Duplicate the PRESSURIZED path by dragging it to the Create New Layer button at the bottom of the Layers Window. Rename the new PRESSURIZED path to BRAND.

Select the BRAND path. Open the Appearance Window and select the 3D Revolve (Mapped) Link. Click on the Map Art button. Remove all the symbols from all the surfaces.

Find the surface that matches the one of the following image and position the Brand symbol as seen in the following image. Finally click OK on the Map Art Window and on the 3D Revolve Options Window.

Step 15

Duplicate the BRAND path by dragging it to the Create New Layer button at the bottom of the Layers Window. Rename the new BRAND path to NOZZLE1.

Select the NOZZLE1 path. Open the Appearance Window and select the 3D Revolve (Mapped) Link. Click on the Map Art button. Remove all the symbols from all the surfaces.

Find the surface that matches the one of the following image and position the Nozzle1 symbol as seen in the following image. Finally click OK on the Map Art window and on the 3D Revolve Options Window.

Step 16

Duplicate the NOZZLE1 path by dragging it to the Create New Layer button at the bottom of the Layers Window. Rename the new NOZZLE1 path to NOZZLE2.

Select the NOZZLE2 path. Open the Appearance Window and select the 3D Revolve (Mapped) Link. Click on the Map Art button. Remove all the symbols from all the surfaces.

Find the surface that matches the one in the following image and position the Nozzle2 symbol as seen there. Finally click OK on the Map Art Window and on the 3D Revolve Options Window.

Step 17

Duplicate the NOZZLE2 path by dragging it to the Create New Layer button at the bottom of the Layers Window. Rename the new NOZZLE2 path to SPATTER.

Select the SPATTER path. Open the Appearance Window and select the 3D Revolve (Mapped) Link. Click on the Map Art button. Remove all the symbols from all the surfaces.

This time I am going to apply the Spatter symbol to 3 of the surfaces; in this example, it will be surfaces 10, 11 and 12. Take the following image as a guide to identify the surfaces in your case. Finally click OK on the Map Art window and on the 3D Revolve Options Window.

Step 18

Reveal all paths, and by now you should have something similar to what is seen in the image bellow.

Step 19

Now open Adobe photoshop and let’s make a new 600 px x 1000 px file. If your “background” layer is white press Command/Ctrl + I to invert it. The background must be black. Duplicate the background layer by dragging it to the Create a New Layer button. Rename your new layer to “MyBg”. Double click your “MyBg” layer and apply the Inner Glow and Gradient Overlay Styles with the settings of the following image. Press OK

Step 20

Go to your Illustrator file and copy (Command/Ctrl + C) your MAIN shape and paste it (Command/Ctrl + V) on your Photoshop file as a Smart Object.

Step 21

Go to your Illustrator select WHITE BIG and WHITE SMALL shapes and copy them (Command/Ctrl + C). Paste them (Command/Ctrl + V) on your Photoshop file as a Smart Object. And rename the layer to WHITE.

Do the same for the rest of the shapes one by one. Rename all the layers as seen in the following image.

Step 22

Hide all layers but MAIN. Go to the PATHS window (Window /Paths) and press the Create New Path button at the bottom of the window. Select the Pen Tool (P) and make a path surrounding the red part on the body of the spray. Press Command/Ctrl and click over the thumbnail of the path to make a selection out of the path.

Step 23

Go to the Layers Window and press the Create New Fill or Adjustment Layer button at the bottom of the Layers Window. Select Gradient Map. Double click on the icon of the gradient map to bring out the Adjustments Window. Click over the Gradient Map of the Adjustments Window and edit the gradient as seen in the following image. Press OK

Step 24

Now you need a grunge texture, you can use the one I provided with this tutorial. Open it and paste it on your file, over the WHITE layer. Rename the layer of the texture to TEXTURE. In the menu, go to Image > Adjustments > Black and White. Press the Auto button and press OK. In the menu, go to Image > Adjustments > Levels. Press the Auto button and press OK.

Step 25

With the WHITE layer selected, click the Add Layer Mask button at the bottom of the Layers Window. Go to the Channels window and press Command/Ctrl + Click over the thumbnail of any of the channels Red, Green or Blue to make a selection out of it. Go back to the Layers Window and hide the TEXTURE layer. Select the Layer Mask thumbnail of the WHITE layer. Press Command/Ctrl + H to hide the selection. Paint the parts of the WHITE layer where you want the scratches to appear color black. You can paint with color white to hide the scratches.

Step 26

Press Command/Ctrl + H again to reveal the selection. Now let’s save the selection because we will use it later. In the menu go to Select / Save Selection and enter “SELECTION” on the Name field. That will create a new channel named SELECTION. Press Command/Ctrl + D to remove the selection.

Now that we have saved our selection we can go and delete the TEXTURE layer selecting it and pressing the Delete key or dragging it to the little trash can at the bottom of the Layers Window.

By now you should have something like this on your Layers and Channels window.

Step 27

Let’s make some scratches to the shield. Reveal the SHIELD layer. Add a layer mask to it by clicking the Add Layer Mask button at the bottom of the Layers Window. Go to the Channels window and Command/Ctrl + Click over the thumbnail of the SELECTION channel. Press Command/Ctrl + H to hide the selection. Go to your Layers Window again and select the Layer mask of the SHIELD layer. Paint with color black over the shield to make some scratches appear. Remember, to erase scratches, just paint with white.

With a layer mask selected you can toggle from black to white and vice versa by pressing the X key.

If you finished with the scratches, remember to remove the selection. You cannot see it because we hid it, but it is there; so press Command/Ctrl + H to reveal the selection and Command/Ctrl + D to remove it.

Step 28

Repeat Step 27 for the PRESSURIZED and the BRAND layers.

Step 29

Reveal the NOZZLE 1 Layer; turn its blending mode to Color Burn and its fill to 40%. Reveal the NOZZLE 2 Layer; turn its blending mode to Linear Burn. Reveal the SPATTER Layer; turn its blending mode to Color Burn and its fill to 90%.

Step 30

Now let’s add some more shadows to the entire spray can. In the Layers Window, select the SPATTER layer. Press the Create New Fill of Adjustments Layer button at the bottom of the Layers Window. Select “Hue/Saturation…” Select the Layer mask of the Hue/Saturation 1 layer and press Command/Ctrl + I to invert it. Change the blending mode of the Hue/Saturation 1 layer to Color Burn. Go to the Adjustments Window and turn the Lightness to -50.

Now with the layer mask of the Hue/Saturation 1 layer selected, start painting with white on the sides of the spray can to add more shadows. Remember, you can always remove what you painted, by painting with black over the layer mask.

If you finished adding shadows to the spray can, you will notice that the background also darkened. We will remove that now.

Go to your MAIN layer and Command/Ctrl + Click on its thumbnail. This will make a selection of the spray can. Press Command/Ctrl + shift ?+ I to invert the selection, because we want a selection of the background, not the spray can. Select the layer mask of the Hue/Saturation 1 layer, make sure that in your Tools window the background color is black, and press the Delete key.

Step 31

Now let’s add some more Texture to the entire spray can to make it look dirtier. Go to the Channels window and select your SELECTION channel. Press Command/Ctrl + A to select all. Press Command/Ctrl + C to Copy.

Go to the Layers Window and with the Hue/Saturation 1 layer selected press Command/Ctrl + V to paste your selection channel as a layer. Rename the layer to TEXTURE. Press Command/Ctrl + Click on the layer mask of the Hue/Saturation 1 layer to make a selection out of it.

Select the TEXTURE Layer and press the Add Layer Mask button at the bottom of the Layers Window. Change the layers blend mode to Multiply and the fill to 50%.

Step 32

Now we have finished with the spray can, so we can make a group with all its elements. Select TEXTURE layer, and with the Shift key pressed, select the MAIN layer. Press Command/Ctrl + G to group all of the spray can layers and rename the group to SPRAY. Your Layers Window should look like the following image.

Step 33

Let’s create the Smoke. Create a new layer over the SPRAY group and name it SMOKE. In the menu, go to Filter > Render > Clouds.

Press the Add Layer Mask button at the bottom of the Layers Window. Press Command/Ctrl + I to invert it. With the Layer mask of the SMOKE Layer selected, paint with white to reveal the smoke.

We will turn the smoke a little green. Press the Create New Layer or Adjustment layer button. That creates a new layer named Hue / Saturation 2. Select the Hue / Saturation 2 Layer and in the Adjustments Window enter the values of the image bellow. Note that the Colorize option is checked. With the Layer mask of the Hue / Saturation 2 layer selected, press Command/Ctrl + I to invert the mask. Paint with white to reveal the green color.

Step 34

Go to Illustrator and create a spiral with the settings of the following image. To pop up the spiral window click on your document with the Spiral tool selected. Go to the menu, press Object > Expand Appearance. Press Command/Ctrl + C to copy the spiral.

Step 35

Go to back to Photoshop and press Command/Ctrl + V to paste the spiral over the MyBg layer. Rename the layer to SPIRAL. Press Command/Ctrl + T and the Transform Handles will appear; then press Command/Ctrl and drag the handles to distort the spiral as seen in the following image. Press Enter/Return when done.

Step 36

Press the Create Layer Mask button at the bottom of the Layers Window. Press the G key to select the Gradient tool and make sure you have a black and white gradient. With the layer mask of the spiral layer selected, drag diagonally to hide the backside of the spiral in the distance.

Final Image

Excerpt from:
How to Make a Textured 3D Spray Can

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Professional and Detailed Instructions Inside

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Originally posted here:
Design and Print a 70s Style T-Shirt – Psd Premium Tutorial

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The wireframing process is the straight-to-the-point and completely non-tech stage of any web project. It only requires that you define a skeletal outline of essential page elements such as headers, footers, navigation and content area and should illustrate how to cater and respond to any possible interaction from a user. It is the most important, yet underused, stage of any web or apps development

The wireframing process is the straight-to-the-point and completely non-tech stage of any web project. It only requires that you define a skeletal outline of essential page elements such as headers, footers, navigation and content area and should illustrate how to cater and respond to any possible interaction from a user. /> It is the most important, yet underused, stage of any web or apps development.

There are several avenues you could take for sketching a wireframe, most notably pen and paper (the easiest and most cost effective way), but for the sake of this article we have focused on apps that are not only highly effective and easy to use, they are also completely free.

We have covered free wireframe apps before (here), but a year is a long time in web development – some of the apps we had previously covered are either no longer completely free or are no longer available. And as such, we felt that we should compile a new list with more detail and covering all areas of design including web pages, mobile apps and application dev. /> As well as showcasing a variety of free apps (11 in total), at the bottom of the post, we have also highlighted some premium wireframing services that do offer free, yet limited, options. You may like to try them.

Lumzy – Quick Mockup Creation and Prototyping Tool

/> With Lumzy, you can create mockups of how your site or application will function by adding events from the extensive list of controls on offer. As well as having great tools for creating your mockup, you can also create Message Alerts, interactive Page Navigation, add Links to external content, and much more. It does offer a great set collaboration tools for live team editing and a chat engine for deliberating over designs. All of this and it is absolutely FREE. /> Lumzy Homepage →View Editor →

Lumzy Editor Screenshot

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/76ed872fireframe_02.jpg" alt="Lumzy Demo">

Mockup Builder – A Killing Prototyping App

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/7e1f2591wireframe_a.jpg" alt="Mockup Builder"> /> Mockup Builder has just recenly been released and looks very promising. It is feature-rich and versatile by allowing you create various prototyping styles, including: UI mockups, interactive wireframes, website layouts, desktop software prototypes and even sitemaps & screen navigation. /> Of course, it does come with great collaboration tools for sharing with clients and colleagues. And yes, it is completely FREE. /> Mockup Builder Homepage →View Editor →

Mockup Builder Editor Screenshot

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/95399e64wireframe_b.jpg" alt="Mockup Builder Demo">

Tiggr – Creating Prototypes Collaboratively

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/35c3afb8ireframe_03.jpg" alt="Tiggr - Creating Prototypes Collaboratively"> /> The idea behind Tiggr (currently in beta) is to give you the resources needed to create prototypes (for web, app or mobile) that look and feel like the final product. It allows you to design from a large number of components, share (via email, Twitter or Facebook), you can collaborate with any number of users and will generate an HTML/JS/CSS so that you can preview your UI mockups very quickly. A 10 second registration (email & password) is the only thing you have to go through to use this fantastic FREE tool. /> Tiggr Homepage →

Tiggr Editor Screenshot

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/218904fcireframe_04.jpg" alt="Tiggr - Creating Prototypes Collaboratively">

Frame Box – Lightweight Online Tool for Creating Mockups

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/d4967b6fireframe_05.jpg" alt="Frame Box - Lightweight Online Tool for Creating Mockups"> /> Frame Box does not have an extensive list of features (like the web based apps above). You can drag and drop, re-size and copy/paste the UI units, but its main focus, and why we like it so much, is that it allows you to create your mockup/prototype very, very quickly by using its very easy to use drag and drop interface. Again, this app is FREE and only requires a quick registration. /> Frame Box Homepage →

SimpleDiagrams Free Edition (Adobe Air App)

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/f58cec89ireframe_08.jpg" alt="SimpleDiagrams Adobe Air App"> /> SimpleDiagrams (free version) is a tiny Adobe Air app that helps you express your design ideas quickly and simply. Drag & drop symbols from its libraries, add images or post-notes, export as a PNG are all of its features, adding up to just just enough functionality to create a decent mockup. /> SimpleDiagrams Homepage →

iPhone Mockup

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/9bed15a3ireframe_09.jpg" alt="iPhone Mockup"> /> With iPhone Mockup you have a choice of using either the Pencil styled editor (screenshot above) or the Illustration editor (screenshot below). Whichever editor you decide to use, the functionality remains the same: Its a very simple and easy to use app that allows you to create your own iPhone mockups very quickly, share them with other people at the click of a button, and any changes you make will by synced to everyone who has the mockup’s URL. /> iPhone Mockup Homepage →Illustration Editor →Pencil Editor →

iPhone Mockup Editor Screenshot

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/a3b6016fireframe_10.jpg" alt="iPhone Mockup">

fluidIA

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/7c9d1479ireframe_11.jpg" alt="fluidIA"> /> fluidIA is a downloadable web based design tool for prototyping rich user interfaces. It allows for rapid refinement and exploration of concepts using an object-oriented approach to design. The original idea behind fluidIA is to discover whether a group of interaction designers, IA’s, UX professionals and developers can create there own prototyping tool in an open way. Progress on FluidIA has been a little bit slow recently, but the actual app works perfectly for designing a wireframe mockup. /> fluidIA Homepage →Fluidia (GitHub) →

fluidIA Editor Screenshot

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/65ea9bc0ireframe_12.jpg" alt="fluidIA">

Pencil Project (Firefox Extension)

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/19334087ireframe_13.jpg" alt="Pencil Project"> /> Pencil Project is a free and opensource Firefox addon for designing GUI prototypes. With its built-in stencils you can create linked multi-page UI documents and finally export your mockup in either HTML, PNG, Openoffice.org document, Word document or PDF. What more would you want from a wireframing app? This truly is an essential Firefox extension that any serious developer or designer should use. /> Pencil Project Homepage →Screenshots →

Pencil Project Editor Screenshot

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/2df91ae2ireframe_14.jpg" alt="Pencil Project Screenshots">

CogTool – General Purpose UI Prototyping Tool (Standalone Application for Win & Mac)

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/ace68572ireframe_17.jpg" alt="CogTool - General Purpose UI Prototyping Tool"> /> CogTool is a FREE and powerful general purpose UI prototyping tool with a difference – it automatically evaluates your design with a predictive human performance model (a “cognitive crash dummy”). You simply create a storyboard of your design idea with sketches, images or on a canvas with CogTool’s widgets, demonstrate tasks on that storyboard, then press a button to produce a valid cognitive model predicting how long it will take a skilled user to complete those tasks. CogTool offers a lot of support via its extensive user guides, step-by-step tutorials (video and articles), its forum and also offers example files to help you get started. /> CogTool Homepage →

Prototype Composer (Community Edition)

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/d3f2f524ireframe_18.jpg" alt="Software Prototyping - Serena Software"> /> Prototype Composer makes it possible to simulate how an application will look and function before any code is ever written. Instead of endless text entries, complex data hierarchies, or too technical UML diagrams, Serena Prototype Composer makes it easy for business users and business analysts to collaborate on requirements by building simple, high fidelity prototypes that simulate a working application. It is a tool for prototyping data, processes, activities and most importantly, user interfaces. The application also works as a fairly easy to use Project Management tool. /> The Community Edition is its free version which allows users to work in a sample project as well as in one user-defined project. /> Prototype Composer Homepage →

DUB – DENIM (Standalone Application for Win, Linux & Mac)

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/67e18203ireframe_19.jpg" alt="DUB - DENIM"> /> DENIM is a free desktop application that is available for Windows, Unix, and Mac OS X. DENIM describes itself as “an Informal Tool For Early Stage Web Site and UI Design”. /> It combines many of the benefits of paper-based sketching with existing electronic prototyping tools. It allows designers to quickly sketch an interface, preserving the important properties of pencil and paper: a rough drawing can be produced quickly and the medium is flexible. However, unlike a paper sketch, this electronic sketch is interactive and can easily be annotated and modified. /> DUB – DENIM Homepage →

Premium Wireframe/Prototype Apps with a Free Option Available

MockFlow: Online Wireframe Tool

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/22141cf5ireframe_20.jpg" alt="MockFlow: Online Wireframe Tool"> /> MockFlow Homepage →

Gliffy – Online Diagram Software and Flowchart Software

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/0636f1ddireframe_21.jpg" alt="Gliffy - Online Diagram Software and Flowchart Software"> /> Gliffy Homepage →

Naview – Create Easier Navigations Through Prototyping and Testing

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/5c284e2cireframe_22.jpg" alt="Naview - Create Easier Navigations Through Prototyping and Testing"> /> Naview Homepage →

iPlotz – Wireframing, Mockups and Prototyping

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/057f16c8ireframe_23.jpg" alt="iPlotz - Wireframing, Mockups and Prototyping"> /> iPlotz Homepage →

Creately – Collaborative Online Diagram Software

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/515acc4eireframe_24.jpg" alt="Creately - Collaborative Online Diagram Software"> /> Creately Homepage →

FlairBuilder – Wireframes. Mockups. Prototypes

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/a5147994ireframe_25.jpg" alt="FlairBuilder - Wireframes. Mockups. Prototypes"> /> FlairBuilder Homepage →

Cacoo – Create Diagrams Online

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/afab551aireframe_26.jpg" alt="Cacoo - Create Diagrams Online"> /> Cacoo Homepage →

Mockabilly – iPhone app mockup

src="http://yoursourceisopen.com/wp-content/uploads/2011/02/7d7f55b3ireframe_27.jpg" alt="Mockabilly - iPhone app mockup"> /> Mockabilly Homepage →

You may also like…

An Introduction to HTML Prototyping → /> A Collection of Useful Web Design Wireframing Resources → /> A Collection of Printable Web Browser Sketching and Wireframe Templates → /> 15 Javascript Web UI Libraries, Frameworks and Toolkits → /> 25 UI Inspiration and Design Pattern Resources → /> 50 Essential Web Typography Tutorials, Tips, Guides and Best Practices → /> 25 Free Pictogram and Symbols Sign Icon Sets → /> Illustrator Template Toolbox for Web, Mobile and App Developers → /> 20 Free Web UI Element Kits and Stencils →

See the article here:
10 Completely Free Wireframing and Mockup Tools

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